Saturday, December 15, 2012

Eli Likes Sheep



7 comments:

  1. Good King Wenceslas looked out
    On the feast of Stephen
    When the snow lay round about
    Deep and crisp and even
    Brightly shone the moon that night
    Though the frost was cruel
    But no thermometer in sight
    That medieval Yu-le

    "Hither, page, and stand by me
    To confirm my telling
    That peasant's from the IPCC
    Why is he near my dwelling?"
    "Sire, he lives at your expense
    Up on the UN mountain
    Right against the Red Cross fence
    By Saint Agnes' fountain."

    " On deer flesh and blood red wine
    His hearth with logs aquivver
    I wish that I could with him dine
    Will you send me thither ?"
    Page and monarch forth they went
    Forth they went together
    Through the rude wind's wild lament
    And the bitter weather

    "Sire, the night is darker now
    And the wind blows stronger
    Fails my heart, I know not how,
    I can go no longer."
    "Mark my words, page uninformed,
    Tread thou forward boldly
    Medieval nights are toasty warm
    How canst thou freezeth coldly?"

    In his master's steps he trod
    Where the snow lay dinted
    And soon lay dead, poor frozen sod
    For the Saint on furs had stinted
    Therefore, Christian men, be sure
    Wealth or rank possessing
    Fail thee not to bless the poor
    But look first to their dressing

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  2. Every reader loves the way he tells off
    the sun, shouting busy old fool
    into the English skies even though they
    were likely cloudy on that seventeenth-century morning.

    And it’s a pleasure to spend this sunny day
    pacing the carpet and repeating the words,
    feeling the syllables lock into rows
    until I can stand and declare,
    the book held closed by my side,
    that hours, days, and months are but the rags of time.

    But after a few steps into stanza number two,
    wherein the sun is blinded by his mistress’s eyes,
    I can feel the first one begin to fade
    like sky-written letters on a windy day.

    And by the time I have taken in the third,
    the second is likewise gone, a blown-out candle now,
    a wavering line of acrid smoke.

    So it’s not until I leave the house
    and walk three times around this hidden lake
    that the poem begins to show
    any interest in walking by my side.

    Then, after my circling,
    better than the courteous dominion
    of her being all states and him all princes,

    better than love’s power to shrink
    the wide world to the size of a bedchamber,

    and better even than the compression
    of all that into the rooms of these three stanzas
    is how, after hours stepping up and down the poem,
    testing the plank of every line,
    it goes with me now, contracted into a little spot within.

    **Memorizing “The Sun Rising” by John Donne**, by Billy Collins

    http://www.poetryfoundation.org/poetrymagazine/poem/240504

    ReplyDelete
  3. What is not to love about sheep art?
    http://www.youtube.com/watch?v=qniwI2hNhDs

    ReplyDelete
  4. And they are delicious, and good for albedo too:

    Put some out to safely graze on your green roof today !

    ReplyDelete
  5. My favorite letter from the early 70s National Lampoon.

    (from memory)

    Do you remember those sheep they found dead in Utah*? Well, they were naked!

    Love,
    Mothra



    *there was, allegedly, a nerve gas accident out in the wilds of Utah which left dead sheep in its wake. Probably the source for the imagery of the same in Close Encounters.

    ReplyDelete
  6. http://youtu.be/tcRYdVlGXNQ

    ReplyDelete

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